Luxury Wooden Arm Chairs for Commercial , Nice handcrafted Modern Wood Chairs
Quick Details
• Type: Living Room Furniture
• Specific Use: Living Room Chair
• General Use: Home Furniture
• Material: fabric+wooden
• Appearance: Modern
• Style: Leisure Chair
• Folded: No
• Size: chair D72*W76*H84
• Place of Origin: Guangdong, China (Mainland)
• Brand Name: Grant Featherston
• Model Number: CH301
Description:
Item No. : CH301
1. Nice handcrafted solid ash wood frame,wood can be light walnut,dark walnut,black or oak.
1. Nice handcrafted solid ash wood frame,wood can be light walnut,dark walnut,black or oak.
2. Upholstery in fabric or leather
3. Shortly before Finn Juhl became a world-renowned name, he was a self-taught furniture designer and trained architect who had just opened his own office. Working in collaboration with master cabinetmaker Niels Vodder, the pair was the buzz of the 1945 Cabinetmakers’ Guild exhibition with their expressive, sculptural pieces. One such item was the Model 45 Armchair (1945), which broke from tradition by freeing the upholstered areas from the wood frame. With the Model 45, Juhl refined the type of easy chair that he had been working on for many years; creating the type of elegant, tantalizing expression for which this designer is still without rival.
Specifications:
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Product Name: |
Finn Juhl Model 45 Chair |
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Designer: |
Finn Juhl |
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Product No.: |
CH301 |
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Product Material: |
ash solid wooden frame with cashmere fabric cushion; seat height42cm |
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Upholstery Material: |
cashmere fabric/ full Italian top grain leather/ full Italian Aniline leather |
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Available Colors: |
Black, white, red, brown and so on. |
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Product Dimension (cm): |
72×76×84 |
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Package: |
K=K Carton |
K=K Carton |
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Packing Size (cm): |
79×82×91 |
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Single CBM: |
0.59 |
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Designer introduction:
Finn Juhl
Finn Juhl (1912–1989) was the first Danish furniture designer to be recognized internationally. He studied architecture at the Royal Academy in Copenhagen and with Danish architect Vilhelm Lauritzen, but as a furniture designer he was self-taught, a fact he always emphasized.
Juhl began designing furniture in the late 1930’s, in the beginning mostly pieces intended for himself, but after setting up his own office in 1945 he soon became known for his unusual, expressive and sculptural pieces. He initiated a collaboration with master cabinetmaker Niels Vodder, and caused a stir at the annual Cabinetmaker’s Exhibition with designs clearly influenced by modern, abstract art. Compared to his contemporaries, Juhl placed more emphasis on form and less on function, a
