''Lu''--the chinese god of wealth and official ranking
Material: Liu li, lead crystal, Colored glaze(pate de verre)
Technique:Carved
Carving type:Engraving
Product type:Sculpture
Style:Religious
Use:Home Decoration
Theme:Success
Regional Feature:China
Place of Origin:Guangdong China (Mainland)
Brand Name:Artop
Model Number:TBU-06
Size:160*148*345mm,80*80*182mm
Technique: pate de verre , the lost-wax casting/ cast glass
OEM/ODM:welcome
Packaging & Delivery
Packaging Detail: exquisite gift box+ export carton
Delivery Detail: 20-25 days after the deposit 
Specifications
1 competitive price& hign quality
2 colorful and lively figure
3 matrial : color crystal mixed
4 whole handwork
5 OEM accetp
1.suitable for home, hotel and office decorationand and also as a good gift .
2.There are two size of this product ,we also can did the size and color for your required .
3.One famous god in china , always as a old man, smiled , is the god of wealth and official ranking. In his arm he held a jade sceptre known as Ru Yi that has with the carving of a Ling Zhi at one end. In Chinese Ru Yi also means a wish come true. At times, he would also hold a gold ingot in his palm to signify wealth and good luck.
4. ''Fu'' ''Lu'' ''Shou'' are the three Chinese gods that bring triple blessing of Happiness, Wealth and Longevity. In Chinese homes, these three gods are commonly placed near the main door, living room and dining area to create an auspicious atmosphere as these deities symbolize all the good blessings that a family could ever wish for.
Colored glaze, Regarded as the first among the "Top Five Wares" of China, and one of the "Seven Treasures" of Buddhism.
Liuli arts or colored glaze arts is a work of art through fine casting odde-waxed artificial caystal.The whole process is completed handwork with tens of manual meticulous operations.every slightest neglect would lead to failure or defects. It combination the ancient chinese culture and mordern art ,through its colorful streams and changed elegance,its express the delicacy and implication of the orientals and it's an integration of sentiment and art .
The maintance of the buddha:
1.do not be stretched or suffer an impact
2.do not partially heat or hold any parts of the work
3.a pad under the work is necessary
4.to preserve lustre and brillance
5.Prevent chemical reaction and discoloration
