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Shenzhen Nasida Furniture Company Limited

[Province: Guangdong ]

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Green Wood Modern Living Room Lounge Chairs / Contemporary Armless Chair

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Green Wood Modern Living Room Lounge Chairs / Contemporary Armless Chair

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Green Wood Modern Living Room Lounge Chairs / Contemporary Armless Chair

Quick Details

Type: Living Room Furniture
Specific Use: Living Room Chair
General Use: Home Furniture
Material: Fiberglass with Solid wood feet
Appearance: Modern
Style: Leisure Chair
Folded: No
Size: 88*88*61 cm
Place of Origin: Guangdong, China (Mainland)
Brand Name: Nasida
Model Number: CH180 S43#
color: S43#

Description:

Finn Juhl Pelikan Chair Pelican chair

Item No. : CH180 – S43#

1. Hard and durable fiberglass chair shell inside

2. Upholstery with italian top grain Leather or fabric

3. Solid ash wooden legs

Specifications:

Product Name:	Finn Juhl Pelikan Chair
Designer:	Finn Juhl
Product No.:	CH180
Product Material:	cashmere fabric cover the high flexibility sponge with fiberglass shell inside +solid ash wood legs.
Upholstery Material:	cashmere fabric/ Full italian top grain leather/ italian aniline leather
Available Colors:	Black, white, red, brown and so on.
Product Dimension (cm):	857668
Package:	K=K Carton	K=K Carton
Packing Size (cm):	888861
Single CBM:	0.48

Designer introduction:

Finn Juhl

Finn Juhl (1912–1989) was the first Danish furniture designer to be recognized internationally. He studied architecture at the Royal Academy in Copenhagen and with Danish architect Vilhelm Lauritzen, but as a furniture designer he was self-taught, a fact he always emphasized.

Juhl began designing furniture in the late 1930’s, in the beginning mostly pieces intended for himself, but after setting up his own office in 1945 he soon became known for his unusual, expressive and sculptural pieces. He initiated a collaboration with master cabinetmaker Niels Vodder, and caused a stir at the annual Cabinetmaker’s Exhibition with designs clearly influenced by modern, abstract art. Compared to his contemporaries, Juhl placed more emphasis on form and less on function, a serious break with the tradition of the Klint School.

Finn Juhl’s first American assignment came in 1951 when he was asked to design the interior of the Trusteeship Council Chamber at the UN headquarters in New York. An overwhelming task for a rather inexperienced, young architect, but Ju

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